Īfter Mosher moved to New York, the artistic directorship went to Robert Falls, former director of the Wisdom Bridge Theatre. The Goodman Theatre also was where Hurlyburly by David Rabe premiered under the direction of Chicago improvisational theater alum Mike Nichols. Mosher later produced and directed American Buffalo and Glengarry Glen Ross at the Goodman. When Mosher took over as artistic director he enhanced the Goodman's reputation largely due to the work of David Mamet whose play "Sexual Perversity in Chicago" had been Mamet's first success at the Organic Theater Company in 1974. The Goodman Theatre had existed for a number of years with a reputation as a home for revivals, but the arrival of artistic director William Woodman and his assistant Gregory Mosher changed its profile. In 1970 Sills invited Stuart Gordon and his Organic Theater Company to move to Chicago and begin what he termed "a scene." The success of these three theaters inspired the creation of other small troupes that grew, notably the Steppenwolf Theatre and the Victory Gardens Theater, both of which, along with the Goodman Theatre, Chicago Shakespeare Theatre, Court Theatre (Chicago) and Lookingglass Theatre Company, were honored with regional theater Tony Awards, the only city in the country to have six theaters so honored. The Kingston Mines Theater, where the musical " Grease" premiered, began shortly afterwards, the two theaters across the street from each other on Lincoln Avenue. In 1968 Paul Sills left Second City to open The Body Politic Theater where he created Story Theater. The Second City, founded in 1959 by Paul Sills and Bernie Sahlins, is the country's premiere improvisational theater, and its method of developing material has strongly influenced such playwrights as David Mamet (who was a dishwasher there), Jules Feiffer, Lanford Wilson, Jeffrey Sweet, James Sherman, David Auburn, Mark Hollmann, Greg Kotis and Alan Gross. Nicholas Theatre Company (founded by playwright David Mamet and actor William H. From this an indigenous Chicago style of ensemble theater arose, with examples including The Second City, Steppenwolf Theatre Company, St. A postwar stage renaissance emerged via the Hull House through efforts by Viola Spolin and Robert Sickinger. This, along with the founding of the Toy Theatre in Boston the same year, is credited with starting the American Little Theatre Movement. In 1912 Maurice Browne founded the Little Theater in Chicago, crediting Pelham's Hull House influence. Hull House, the social settlement house of Chicago, had from the 1890s a theatre program under Laura Dainty Pelham which performed the Chicago premiers of numerous of the new plays of Galsworthy, Ibsen, and George Bernard Shaw. Lively foreign-language theaters patronised by new immigrants also sprang up. ![]() After the devastation of the Great Chicago Fire of 1871, Scottish-American producer David Henderson gave Chicago a national theater reputation at his Opera House and other theaters. New theaters, including Rice's Theater, owned by an empresario and future mayor, and McVicker's Theater began booking nationally prominent acts beginning in the late 1840s. Chicago's main theater prize, the Joseph Jefferson award, is named after this pioneer. One of the players was then a boy named Joseph Jefferson, who grew to become a very successful comedic actor. In 1837, the first resident theater company, the short-lived Chicago Theater, opened in the Sauganash Hotel. The young settlement of Chicago in 1834 saw its first commercial production by a fire eater and ventriloquist, Mr. History Illinois Theatre, Chicago, Illinois, c.1909 According to American Theatre magazine, Chicago's theater is "justly legendary". As many as 100 shows could be seen any given night from 200 companies as of 2018, some with national reputations and many in creative "storefront" theaters, demonstrating a vibrant theater scene "from the ground up". According to Variety editor Gordon Cox, beside New York City, Chicago has one of the most lively theater scenes in the United States. ![]() Chicago had long been a popular destination for touring productions, as well as original productions that transfer to Broadway and other cities. Theater in Chicago describes not only theater performed in Chicago, Illinois, but also to the movement in Chicago that saw a number of small, meagerly funded companies grow to institutions of national and international significance. The Chicago Theatre The Auditorium Theatre For the theater building at 175 North State Street built in 1921, see Chicago Theatre.
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